A La Carte

Into the Mouths of Babes

May 13, 2010

"When did food become age-appropriate?" Nancy Tringali Piho, author of "My Two-Year Old Eats Octopus"asked rhetorically as we savored Chef Michel Richard's pearl pasta risotto.

I looked around the room wishing there were more children like Alessandra Johnson here to enjoy this Citronelle experience celebrating Nancy's new book.

Darry and Alessandra Johnson

So why did a public relations expert with 15 years experience and a host of adult food clients decide to study the eating habits of toddlers? "When our two-and-a-half year old son Willie couldn't get enough of the octopus and ceviche at a Peruvian restaurant on the family's Miami vacation ..." Nancy knew she was onto something.

"The American children's diet is full of the big three: fat, sodium and salt." she continued. "Kids' taste buds are alot more developed than adults. Introduce flavour and texture and they will respond," Nancy explained. By now we were enjoying a luscious kid's sized lobster burger with a crisp Thomas Henry Chardonnay.

 

Chef Michel with Mel Davis, Citronelle's PR coordinater pictured above.

 

Mary Brett and Barbara Johnson

Georgetown residents Theresa and John Mongan

Judy Newman and Chef Michel Richard

Chef Michels' Chocolate Bar Dessert Sensation

When brother Daniel arrived three years later, Nancy was making her own baby food. And was there anything Willie won't eat?  Nancy smiled, "No beef liver." But perhaps that's because his parents aren't too thrilled with it either. And Willie's favorite food? "Thai! Especially pad thai and spicy eggplant."


Chef Michel and friend Larry Shupnick enjoy a little wine on the terrace ...


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Gustavia Meets Georgetown

May 8, 2010

1930's Venetian Sea Shell Painting, Signed by Guido Manerba

When you meet Elisabeth Wulff Wine, you’ll feel like you’ve been magically transported into her elegant home, somewhere in Europe: a touch of Murano glass everywhere mixed with the warmth of naturally distressed Swedish wooden furniture, and fine paintings from three centuries and as many countries.  

1846 Austrian Children's Oil Portrait by Anton J. Ferenz

You’ve just entered Scandinavian Antiques and Living, Elisabeth’s new Georgetown “home.” A Denmark native and interior decorator/fine arts dealer, Elisabeth has recently been stylishly furnishing the residences of the Milanese (where she had a fine arts and antique business) until three years ago when she met her husband, Craig Wine at a Baltimore antiques show.


1960s Murano Barovier Leaves w/Gold Sconces and Sevres Tureen

1760's Painted Napoli Door Panels Adorn A Swedish Baroque Writing Desk of the Same Period

Lucky for us, she’s now created the most inviting place to find everything: from a pair of signed Venetian shell paintings, to a contemporary Murano Picasso head, to one of her signature Moro Clocks,  which graces her door sign and business card. This classic Swedish clock (the one pictured below is from 1750) says "Paris" on its face. Don’t be confused. Turns out Paris was a popular first name for Swedes in the 17th and 18th centuries, not the place where the movement was made. Why the clock as your motif, I asked Elisabeth. “It’s always been prestigious to have a clock in your home, whether it was in the city or the country,” she explained. And “they’re very beautiful.”

Open since mid-March Scandinavian Antiques and Living, occupies two levels in her P Street shop, and is a must-see destination for anyone in the market for fine art, antiques or luxury home accents.

Valkommen, Elisabeth!

Scandinavian Antiques and Living is at 3231 P Street. Tel. 202.450.5894


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Happy Mother's Day!

May 4, 2010

Her maternal grandfather Max and uncle Julius had been running the Weissglass Dairy farm on Staten Island for 10 years in 1915, when Rita Baumgarten, the third of five children was born in New York City.

(Back Row) Jennie, Oscar, Julius, Frieda, (Front Row) Sylvia, Rita and Michael Baumgarten, Vienna, 1924

When she was five, my mother moved with her family to a suburb of Vienna where her father returned to the prosperous oil business he managed before the first World War. That is, until Hitler invaded Austria in 1938 and the family settled in New York for good.

A short walk to the nearest coffee house was where my grandfather conducted business, daily dinners started with a trip to the baker and butcher, dressmakers made the family wardrobe, and my perfectionist mother got her early start in fashion by re-making her own outfits.

When the town needed a new tennis court and Olympics training pool, they called on locals for financing. But if a patron were Jewish, it didn’t necessarily ensure access to the facilities. Testament to early 20th century engineering, Modling’s mosaic tiled swimming pool, with its avant- garde filtration system was exactly as my mother described it when we visited in 1990.

My first recollection of her voice was listening to the fairy tales of Grimm and Anderson (“Great Claus and Little Claus” was my favorite) but no stories were more interesting than those of the Baumgarten household, with the antics of five mischievous kids, and a steady procession of Dickensian characters that traipsed through its doors. One regular was a chubby young boy who grew up to be investment banker Felix Rohatyn.

Echoing black and white tiled hallways and a creaky caged elevator that always landed on my grandmother's floor, that Washington Heights apartment was the place I was first introduced to the growing clan in the prime of their transplanted lives. (Photo at left, Rita and Kurt Beermann taken in Nice, 1946.)

I came on to this scene in 1953, a year before my father’s throat cancer almost derailed his plans of becoming a college professor.

Thanks to Oscar, my mother’s physician brother, and what was for the time, experimental surgery, my father retained partial use of his vocal cords. Not enough for his voice to project in a lecture hall, but plenty where sign language is the mother tongue.  So my parents moved to Washington and my dad began his teaching career at Gallaudet University, then a college. (Photo below taken on my parent's first trip to DC in 1952.)

Designer dressmaker (for Anne Klein, herself and me), prolific painter, landscape gardener, animal lover (till the day she died, she missed her German shepherd Christel), theatergoer, bridge- player, avid traveler, world-class knitter, reluctant suburbanite, wife and oh yes, mother.  Marrying ‘late’ (31) to a younger man (24) and having me ‘really late’ (38) meant she was delighted to stay home and entertain me. It was easy in the beginning. I was cute.

Many of her dreams were never realized, I think she would agree.  But as a brilliant and devoted caregiver, my mother was unquestionably a star.  A woman of unwavering integrity, she always told the truth and more important, knew what the truth was. Never shy about constructive criticism (I provided a wide variety of topics) she was as talented and intelligent as she was honest.  Simply, very few people really knew her.  I was lucky.

She excelled at whatever she tackled.  A gifted artist who began copying Old Masters at 35 (low confidence precluded early attempts at original work,) she took up nude figure drawing and abstract painting at 65. (Photo at left taken in DC in 1996, four years before she died at 84.)

At 75 she started lifting weights.  A modern spirit who didn’t flinch at her daughter’s escapades, rather, pragmatism kicked in and her focus turned to safety.  On more than one occasion, when I refused to extricate myself from a dicey situation, she warned I could get myself shot ...

She had a knack for assessing the competency of my mentors, the character of my friends, and the wisdom of my passions.  She didn’t mistake my often precocious behavior with readiness. Not blessed with a poker face, she could readily hide her skepticism if it meant an opportunity for me to grow. She never confused her disappointments with mine. Well, except maybe when I stubbornly said I didn’t want a dollhouse.  She desperately wanted me to have the one she never did.  I would have LOVED a dollhouse, especially one she selected.  Only I didn’t know it then.  She should have just bought it instead of listening to a contrary six- year old.  But she respected how I felt and took me at my word.  

At 19, when I wrote her from an extended trip abroad that instead of finishing college, I was moving  to the Cote d’Azur with an English boyfriend, she somehow knew I needed, what is now euphemistically called an intervention. So she met me in Madrid, and brought me home. I was secretly quite relieved.  Not about the France part.

In my thirties, when I won a National Zoo photo contest for a close-up of Ambika, a resident Asian elephant, she said, ”Nice camera!”  It was a comment on a very sharp zoom lens, not a dismissal of her daughter’s talent.  For her, it was a given that I could accomplish anything I set my mind to. After all, she never doubted I drew from memory that painting of an elephant at five my teacher was convinced I had traced.  It helped that I always brought my stuffed animals along for inspiration on our visits to the zoo.  (Photo at left taken at the Bronx Zoo, 1955.)

I’d like to think I have her refined eye and sense of beauty, but I’m positive I inherited her respect for nature. Because of her, I know how it feels to have someone who truly, always has your best interests at heart.

Thank you, Mommy!


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