Hollywood on the Potomac

Shorts

February 11, 2019

The long and the short of it: Short films are by far the most diverse films in the academy, but they often get short changed (yes, pun intended). Until recently, shorts were often referred to as the black sheep of the Academy Awards ceremony — “a prestigious category, but one that barely anyone has seen.” The Motion Picture Association of America (MPAA) and Chairman & CEO Ambassador Charles Rivkin hosted a private screening at the Abramson Family Lecture Hall NYU in Washington, DC where they screened a few Oscar nominated Shorts with Andrew Chesworth, the co-director of One Small Step, its producer Shaofu Zhang and the moderator Carter Pilcher, the founder and CEO of  ShortsTV and Founder of Shorts International.

About Carter Pilcher:  “Pilcher founded Shorts International in 2000. Coming from a background in both investment banking and law, Carter has made Shorts International the world’s leading short movie Entertainment Company, functioning as distributor, broadcaster and producer. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. Carter, originally from Terre Haute, Indiana, received a B.S. from the U.S. Air Force Academy, a J.D. from Georgetown University, is a member of the New York Bar and attended the London Business School Corporate Finance Evening Program. Carter Pilcher has been and continues to be the highlight of Oscar season here on Film School. His insight, commitment and love of films and filmmaking always makes for a lively and informative conversation on some of the best films you will see all year.” ShortsTV


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'Be Fearless'

February 3, 2019

“Let me be clear,” said co-host Kara Swisher at a party for Jean Case at the home of Hilary Rosen on the occasion of her new book: Be Fearless “He created the legislation that created the commercial internet. We were there when Al Gore invented it, and in fact he did. We were there when the internet started. We were there way early, way before Google, way before Uber, way before Facebook and probably will be here long after Facebook is gone. Sorry Facebook, I had to make a Facebook joke.”

Kara is an American technology business journalist who first met Jean when she was at The Washington Post and Jean was at AOL……a long time ago as noted by Jean who headed up communications and was the top ranking female executive at the company and one of the few women executives there. She had left GE, which was a big deal to join the AOL start up.  “Nobody did start-ups then,” Kara noted.  “It was not a trendy thing. In Washington, DC it certainly wasn’t.”


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Breslin and Hamill

January 28, 2019

Guests at the Motion Picture Association of America’s (MPAA) screening of HBO’s Breslin and Hamill: Deadline Artists at the Carnegie Institution for Science were in a New York state of mind, courtesy of Amphora Catering. The 240 guests that included filmmakers, diplomats and journalists noshed on pretzels, tacos, hotdogs, toasted cheese sandwiches and popcorn prior to the screening and panel that followed with moderator Margaret Brennan of Face the Nation and directors Jonathan Alter, John Block and Steve McCarthy.

About the film: “Jimmy Breslin and Pete Hamill’s brilliant, honest and courageous writing defined New York City journalism. For five decades, these colorful columnists and longtime friends spoke for ordinary people and brought passion, wit and literary merit to their reporting on their city and nation. Their writings probed issues of race, class and the practice of journalism that resonate powerfully today. Born and raised in working-class New York City neighborhoods, Breslin and Hamill were products of fractured Irish-American families. They rose through the ranks of reporting without formal training or college degrees. Sometimes working on competing newspapers, and sometimes working on the same publication, they became good friends who challenged and inspired each other. They were also swashbuckling, often controversial personalities whose TV appearances and comings-and-goings around town could be as entertaining as the stories they wrote. Filled with the humor and gusto they both personified, the documentary is a poignant look at two literary giants who epitomized New York during its last and greatest period of print journalism, whose pioneering influence still reverberates today.” HBO


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